More about the £250.00 photography session:
I can come to your home or you can come to my studio in Battersea. I find that children are always much more relaxed in their own environment and we can mix up a session to include some fun photographs outside as well as the studio style photographs we take inside.

You’ll get a mix of colour and black and white photographs on a DVD, the high resolution photos are all yours to keep and you don’t have to come back to me and pay for extra prints. I will of course be delighted to print any you want me to.
Three prints up to 12”x8” are also included in the package.

We have teamed up with a local company who are going to produce our large wall prints, and they are offering us 5 wall prints free as part of our ongoing deal with them. The wall prints measure 900mm x 700mm and are stand alone contemporary pieces. You choose which photograph from the portrait session you would like to print and we’ll do the rest. We normally sell these large prints for £565.00.

Read more about the family portrait photography session here.

Portrait Photography London

Do you want to give your relatives and friends some fun natural photos of you and your family?

If the answer is Yes then you need to be booking your session now.  We get so busy in the run up to Christmas with the various things that we do that we not only run out of time but run out of availability.

THERE ARE ONLY FOUR WEEKENDS LEFT BEFORE WE CLOSE BOOKINGS IN TIME FOR CHRISTMAS!

Call us today on 020 8333 0151

More about Portrait Photography Here.

Over the weekend at my stall on Northcote Road dozens of children and adults took part in our ‘Best Halloween Costume” competition. It was great fun and there were some amazing costumes. The photography sessions were free and the prints if the participants want to buy will be very reasonably priced. You can find out more about my weekend street studio here.

The stall and ‘Street Studio” will be open on Fridays, Saturdays and Sundays in November for free portrait sessions and then in December we’ll be open every day. The sessions are free, all you pay for are the prints from £19.50. This is ideal for children because as we all know sometimes it simply doesn’t work when you point a camera at them, sometimes though the results are superb. Many families come again and again throughout the year and then order the best photos across the several sessions they’ve taken.

You don’t need to book, just turn up. You don’t need to dress up either, just be yourself and we’ll take relaxed and natural pictures of you and your family.

Portrait Photography Home

You can read all about it on the weddings site, go to www.weddingphotographerslondon.uk.com

I try and use natural light indoors and outdoors wherever possible. For the shoot on Thursday I was very keen to stay away from artificial light and the photograph above was taken outdoors using a reflector to even out any shadows.

Autumn is a great month for wedding photography, it’s also a great month for landscapes and outdoor portraits. The light is often best at the beginning and at the end of the day, and at midday in autumn the light is not as harsh as it can be in summer. Take a look at more information on weddings here.

Home

One metaphor often used is to imagine your camera is like a window with shutters that open and close. Aperture is the size of the window. If it’s bigger more light gets through and the room is brighter. Shutter Speed is the amount of time that the shutters of the window are open. The longer you leave them open the more that comes in.
Now imagine that you’re inside the room and are wearing sunglasses, your eyes become desensitized to the light that comes in (it’s like a low ISO).There are a number of ways of increasing the amount of light in the room, or at least how much it seems that there is. You could increase the time that the shutters are open (decrease shutter speed), you could increase the size of the window (increase aperture) or you could take off your sunglasses (make the ISO larger).

How does your camera know what the perfect exposure is? Your camera is pre programmed by the manufacturer to let an exact amount of light in for the perfect exposure, which is 18% of the light reflected form a grey surface.

Shutter Speed:
Shutter speed is measured in seconds – or in most cases fractions of seconds. The bigger the denominator the faster the speed (ie1/1000 is much faster than 1/30).
In most cases you’ll probably be using shutter speeds of 1/60th of a second or faster. This is because anything slower than this is very difficult to use without getting camera shake. Camera shake is when your camera is moving while the shutter is open and results in blur in your photos.
If you’re using a slow shutter speed (anything slower than 1/60) you will need to either use a tripod or some some type of image stabilization (more and more cameras are coming with this built in).

Shutter speeds available to you on your camera will usually double (approximately) with each setting. As a result you’ll usually have the options for the following shutter speeds – 1/500, 1/250, 1/125, 1/60, 1/30, 1/15, 1/8 etc. This ‘doubling’ is handy to keep in mind as aperture settings also double the amount of light that is let in – as a result increasing shutter speed by one stop and decreasing aperture by one stop should give you similar exposure levels.

Some cameras also give you the option for very slow shutter speeds that are not fractions of seconds but are measured in seconds (for example 1 second, 10 seconds, 30 seconds etc). These are used in very low light situations, when you’re going after special effects and/or when you’re trying to capture a lot of movement in a shot). Some cameras also give you the option to shoot in ‘B’ (or ‘Bulb’) mode. Bulb mode lets you keep the shutter open for as long as you hold it down.

When considering what shutter speed to use in an image you should always ask yourself whether anything in your scene is moving and how you’d like to capture that movement. If there is movement in your scene you have the choice of either freezing the movement (so it looks still) or letting the moving object intentionally blur (giving it a sense of movement).

To freeze movement in an image you’ll want to choose a fast shutter speed and to let the movement blur you’ll want to choose a slower shutter speed. The actual speeds you should choose will vary depending upon the speed of the subject in your shot and how much you want it to be blurred.

Use motion to your advantage. For example when you’re taking a photo of a waterfall and want to show how fast the water is flowing, or when you’re taking a shot of a racing car and want to give it a feeling of speed, or when you’re taking a shot of a star scape and want to show how the stars move over a longer period of time etc. In all of these instances choose a longer shutter speed. However in all of these cases you need to use a tripod or you’ll run the risk of ruining the shots by adding camera movement.
Focal Length and Shutter Speed – another thing to consider when choosing shutter speed is the focal length of the lens you’re using. Longer focal lengths will accentuate the amount of camera shake you have and so you’ll need to choose a faster shutter speed (unless you have image stabilization in your lens or camera). The ‘rule’ of thumb to use with focal length in non image stabilized situations is to choose a shutter speed with a denominator that is larger than the focal length of the lens. For example if you have a lens that is 50mm 1/60th is probably ok but if you have a 200mm lens you’ll probably want to shoot at around 1/250.

What is Aperture?
Put most simply – Aperture is ‘the size of the opening in the lens when a picture is taken.’
When you hit the shutter release button of your camera a hole opens up that allows your cameras image sensor to catch a glimpse of the scene you’re wanting to capture. The aperture that you set impacts the size of that hole. The larger the hole the more light that gets in – the smaller the hole the less light.

Aperture is measured in ‘f-stops’ for example f/2.8, f/4, f/5.6,f/8,f/22 etc. Moving from one f-stop to the next doubles or halves the size of the amount of opening in your lens (and the amount of light getting through). Keep in mind that a change in shutter speed from one stop to the next doubles or halves the amount of light that gets in also – this means if you increase one and decrease the other you let the same amount of light in – very handy to keep in mind).
One thing that causes a lot of new photographers confusion is that large apertures (where lots of light gets through) are given f/stop smaller numbers and smaller apertures (where less light gets through) have larger f-stop numbers. So f/2.8 is in fact a much larger aperture than f/22. It seems the wrong way around but you’ll get the hang of it.

Depth of Field and Aperture
Depth of Field (DOF) is that amount of your shot that will be in focus. Large depth of field means that most of your image will be in focus whether it’s close to your camera or far away.
Small (or shallow) depth of field means that only part of the image will be in focus and the rest will be fuzzy. Aperture has a big impact upon depth of field. Large aperture (remember it’s a smaller number) will decrease depth of field while small aperture (larger numbers) will give you larger depth of field.
It can be a little confusing at first but the way I remember it is that small numbers mean small DOF and large numbers mean large DOF.

The best way to get your head around aperture is to take lots of photos and experiment. Set up a shot outside and place some items near the camera as well as far away and take a series of shots with different aperture settings from the smallest setting to the largest. You’ll quickly see the impact that it can have and the usefulness of being able to control aperture.

Home

So when and why should you use the zoom lens on your camera?
One of the most important rules with portrait photography is “get close”. Unfortunately, for most family snaps, that rule is rarely applied. Uncluttered, closely cropped shots make the best family snaps and natural portrait photographs, and a zoom lens is the ideal way to get close in and get the cropping right.

What does using a zoom do for your photograph?
A zoom lens will get you physically closer to the action, and the content of your photograph will be much stronger if you are be able to isolate parts of the action.
Depth of field can also be used to your advantage when using a zoom lens particularly in portraits. Keep the aperture at around f5.6 and focus on the subject, when the lens is wide open you’ll get the subject in focus and the foreground and background out of focus giving you much stronger emphasis on the subject.
A mid range zoom lens is also ideal for travelling. My wife has banned me from taking a tripod and sets of lenses on holiday so I take a 24mm-105mm lens which can deal with most situations. If you can get away with taking another zoom with you take a 70mm-200mm or something up to 300mm or 400mm. Photographing the locals without attracting attention to yourself is much easier with a longer zoom lens.

Optical Zoom and Digital Zoom?
If you are about to buy a camera, perhaps even step into the world of digital, buy a camera with the strongest optical zoom you can afford. Some of the digital cameras available today have zoom lenses that are 10x or even stronger! The higher the number represented in the optical zoom the closer you can get to the action and the more dynamic your pictures can be. 
As for digital zoom, well…that is another thing altogether. Digital zooms are available in many digital cameras and work on a similar principle to cropping in on a negative. Digital zoom crops in on the digital image and uses only the central pixels in the picture. Then, using inbuilt software, the image is enhanced and built into a file that can be printed. However, the sharpness of your pictures suffers and should only be used if your desperate, if at all. Don’t factor the digital zoom into your purchasing decision.

The Great All-Rounders
Advancements in lens technologies have made some lenses possible today that just couldn’t have been considered twenty years ago. Today, you can buy one lens that lets you take wide angle landscapes and then zoom in to a person in that landscape. What’s more, these lenses are incredibly sharp! Lenses like the Tamron 18-250mm for digital SLR cameras are fantastic and you could travel the world with only this lens and hardly ever miss a shot. In fact, Tamron are packaging their 11-18mm and their 18-250mm lenses together now so that you are covered from superwide to supertelephoto in only two lenses. Most high end lenses also have an image stabilisation capability which can really help with blurred photographs resulting from camera shake.
Compact digital cameras are also including lenses that do much the same thing. The Ricoh R7 has a 7x zoom. The Canon PowerShot is similar. The SX100 IS has a 10x zoom. And there are many others like these. Included with these kinds of cameras are vibration reduction and anti shake modes that prevent your telephoto pictures from being blurred from camera shake.

How Close is ‘Close’?
If you don’t know just how close to get, try this. Compose your picture as you normally would and take it. Then, zoom in. Then, zoom in some more. Keep zooming, or moving closer until you actually begin to see only what you need to see and no more. Take another picture and compare the two. Almost invariably, your second picture will be the more interesting and dynamic of the two.

Home

The corporate events were good fun. Novotel, the hotel group, hosted a fancy dress party for its staff. It was actually their Christmas party. They are so busy during December that there isn’t time to throw a party for the staff so they all dress up and have their end of year blow out in January.
My assistant, Jimmy and I set up a portrait studio in the ballroom where the party was held to photograph the guests in their fancy dress. While Jimmy photographed the guests I produced 7″x5″ prints for them which they were able to pick up shortly after the photographs were taken. This was a huge hit and is always very popular. So much so that they asked us to stay for another hour.

Producing prints on the night and staging ‘real time’ slideshows is great for the guests as they don’t have to wait to see the results. Also from the host’s point of view, particularly if is is a staff or corporate event it is a great opportuninty to give something fun away. There is also an opportunity to associate your brand or corporate image with the fun event by printing your logo discretely somewhere on the photo, all good stuff for you, your staff, and your clients.

We also photographed Stacy Solomon, the X factor contestant at an event this weekend. I have to admit I didn’t know who she was as I’ve only watched X factor a few times but my eight year old daughter thinks she’s the greatest and I managed to get an autograph for her.

We can generally produce finished photographs from an event between 24 and 48hrs which means that you can use the images to your advantage while the event is still fresh in everyone’s minds. We generally produce two sets of images supplied on DVD; a high res set for prints, and a low res set for web and email use. Go to our events and party photography page for more details.

Event Photographer London

On Northcote Road we dote

Armies have their HQ, while gangs feel safe on their turf
Sports teams have home grounds, or home breaks if you like to surf
Old men have their locals, city men have their clubs
Cool men have Shoreditch; our men have Youngs pubs
So it’s not surprising that SW Mums have somewhere to call their own
A place that we can be confident is filled with just our clones
Sanctity when we’re feeling down, a comforting, familiar abode
I couldn’t write this book without mentioning the glorious Northcote Rd

As a gaggle of mums we head to Crumpet, vying for buggy space
Oli is back on the road somehow, but Becky has given chase
Tommy has spied the fairy cakes; Molly is stuck on the loo
Amelia is Queen of the castle, Harry needs a poo
Ruby is eating sugar cubes, Marley is under the table
Josh has built a tower with blocks, although it’s not looking too stable
But it doesn’t matter you smile to each other, because you’re behind Crumpet doors
So you drink your coffee, have a chat, and pretend that they’re not yours

Another day and you’re there with just your kids; it’s time for a haircut
Sally’s booked up for the next 3 weeks, can’t even fit you in when you tut
So you head to Trotters, but struggle to drag them away from driving that car
Unfortunately the fish tank doesn’t do the trick, so you bribe them with a chocolate bar
While you’re there you can’t help having a little mooch around
Which is why husband says “How could 2 haircuts cost one hundred and twenty pounds?!”

Finally you have a morning to yourself, so you head to Questionnaire
You sail through Whistles, and Sweaty Betty, by Kew you just don’t care
By White Stuff you’re 25, by Fat Face you’re in your teens
A mixture of Neal’s Yard and Space NK gives you the necessary means
You stop for a Starbucks takeout latte, treat yourself to a blueberry muffin
A friend tells you she can’t find a thing, but you’re sure she must be bluffing
You walk past Jigsaw, Fat Face Kids, Jo-Jo’s and Petit Bateau
Today is me-time you tell yourself, only one place to spend your doe
But then you have a glass of wine or two (well, All Bar One is just so handy)
And you can’t keep away from those cute little dresses: to the baby, like candy

Saturday morning with nothing to do, there’s no better place to head
Don’t know why Boiled Egg & Soldiers closed down, but I think they probably fled
Toddlers throwing tantrums in the street, babies scream for food
Clapham Junction singles stay at home, they don’t dare intrude
Organic fruit and veg looks amazing, and is only twice the price
Fresh bread, muffins, pastries and pies means the bread stall is sure to entice
You spend a fortune on Mark Anderson photos; does London ever look that good?
If Northcote Rd committee took over City Hall, well, perhaps it would

You’ve shopped for your children and yourself, there’s only one place left to dress
But of course Northcote Rd knows you well, and so caters with equal finesse
There’s Cath Kidson for kitchenware or Rosie’s pink bedroom theme
Oliver Bonas for funky extras or Cuisinere for utensils that gleam
There’s Doves for your Sunday roasts, Salumeria Napoli for your Italian night
Fara for kids toys, Pretty Pregnant if you get that fright
One Small Step or Trotters means your children will always have shoes
And if you’re looking to sell your house? Well, there are a few estate agents to choose

But what is this? The sun is setting and suddenly things start to change
The haven of SW family life is looking a little strange
Buggies replaced with scooter man, lattes replaced with beer
Crying tantrums replaced with pumping music, and then that thing we fear
The thing that ensures we scurry home, why did we leave it so late?
The arrival en masse of twenty-somethings, with freedom in their gait

Home

We are back at work this week and the stall on Northcote Road will be open on Saturday and Sunday this weekend. We’ll then be open every Friday, Saturday and Sunday.
This year every couple of weeks I will be writing a piece in my blog that I think may be of interest to you, stuff like how to take seasonal photographs, tips and tricks using your camera and flash, and some photoshop tutorials using shortcuts and tricks the pros use.

But there are also a number of other things we do which you may find interesting too. They are:

T Shirt and garment printing: http://www.excellentprint.co.uk

Photography Courses: http://www.photoarte.co.uk/phototours/index.html

Art and Photography for Offices: http://www.artforoffices.uk.com/index.html

I hope this year is good for you, and I look forward to hearing from you again or seeing you again on Northcote Road.

Home